Movie Make-out

Archive for the 'Race to the Oscars' Category

Link of the day: How to get an Oscar nomination

By now, almost everyone knows that the best way for an actor—or actress, but I really dislike the word sometimes—to garner an Oscar nomination includes being British or playing a person with mental disabilities.

Well, Variety’s Timothy M. Gray came up with a few more categories to add to the “Oscars bait” pool, including:

Talk funny. Daniel Day-Lewis in There Will Be Blood was a prime example of a long, proud tradition of speaking in a strange voice, using eccentric rhythms and speech patterns and—this is important—doing it while squinting.

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Quote of the day: Give me my fluffy movies, dammit!

Gratitude should therefore be expressed to those brave filmmakers and theatrical producers who are bucking the trend. When it comes to mood-altering movies, Slumdog Millionaire takes the cake. It’s so uplifting, it’s downright narcotic. On Broadway, critics by and large are raving about Billy Elliot for similar reasons. Yeah, it’s a tear-jerker; sure, Elton John has written better scores. But the show is not just theater, it’s a tonic. Isn’t that really why people are willing to pay money for tickets?
—Variety’s EIC Peter Bart, on how today’s economy may affect tomorrow’s Oscars voters

Related Posts: Quote of the Day: Variety EIC Wonders if You Can Spare a Dime

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Quote of the day: When longer isn’t better

[In the running for the Best Animated Picture nomination is] $9.99, a stop motion toon for grown-ups, based on the very short stories of Israeli writer Etgar Keret (some of them no longer than a sneeze, but evocative enough to set your imagination running). That might seem like a shortage of material on which to base a feature, but consider that most blockbusters can be reduced to 25 words or less….”
—Variety’s Peter Debruge, on the very curious nature of this year’s Best Animated Picture selections

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