Movie Make-out

Oh sure… of the four buzz-worthy actors who are in talks to star in Quentin Tarantino’s WWII film Inglorious Bastards, the one that gets signed next is none of them, but instead Canadian comedic actor Mike Myers, according to Variety.

Listen, I used to like Mike Myers films. Laughed my butt off during the first Austin Powers movie, and for some strange reason, my sister and I watched and re-watched the first Wayne’s World movie. Now that I think about it, I think the main reason why I watched the it so often was because of Tia Carrere’s performance as a sexy, no-nonsense, punk-rock star. It’s hard to find female role models on the big screen when you’re ethnically Filipino, you know? But after having seen the second Austin Powers movie three times and becoming bored of his schtick, the bloom faded quickly from the rose, I was no longer a fan and therefore, I don’t buy this casting.

My problem with Mike Myers is that I can’t see him playing anything straight. See, Jim Carrey’s a great comedic actor, but he does know when to stop and he does have the chops to do more serious roles (Eternal Sunshine of the Spotless Mind, anyone?). I can believe someone like him in a serious role because he’s proven that he can do it. However, I can’t see Myers being able to rein anything in without a Scottish accent (because he is remarkably restrained in the Shrek movies), and even worse, I don’t want to imagine Tarantino doing a WWII movie with a silly British general because it’s going to make me think of either Peter Sellers or Graham Chapman too much and then I’ll get sad.

Steve Carrell, Tina Fey Going Out on a Date
I’ve recently become a fan of “30 Rock” thanks to Hulu.com and my very weird work schedule, so I couldn’t help but grin a little when I read in Variety that Tina Fey and Steve Carrell will be in a comedy called Date Night from 20th Century Fox. The movie’s about a couple who starts out on an average date but it quickly turns into something that will probably be described by critics as “zany” and “wild.” The movie will be directed by Shawn Levy (Night at the Museum) who told reporters that he wanted this movie to be his next assignment from the studio.

Former Subway Worker, College Student Makes Good in Creating Brooklyn’s Finest
Admittedly, I’m going to be a little biased about stories in the New York Times because it’s my local newspaper of choice and it’s the standard to which I hold a lot of journalists (though that’s changing due to the weirdness that is newspaper conglomerations). Reading this story about first-time screenwriter Michael C. Martin, an almost-degreed film student from Brooklyn who got second prize in a screenwriting competition while he was recovering from an accident that totaled his car, and then parlayed that into a movie deal for Brooklyn’s Finest (starring Richard Gere, Don Cheadle, and Ethan Hawke, and directed by Antoine Fuqua [Training Day]) makes me feel a little better about the world and my place in it as a freelance writer.

It’s worth it to note that the difference between this piece and the Hollywood Reporter piece on another first-time screenwriter is how Martin’s path seems to be more accessible by the average person, whereas the HR piece pushes you away by mentioning its subject’s maneuvering within the system. Anyone can enter a contest, and anyone can go to film school to get the training and basics down for writing a screenplay. In contrast, no one’s exactly sure what one needs to do to be assigned as an assistant to a major screenwriter, and that kind of job is something you achieve after lots of networking and being exactly in the right place at the right time.